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Genre : Tap Dancing
Latest Release : N/A
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Bring In Da Noise
Wolfe also stated, "I'm interested in how, if you actively unearth popular culture and look inside it, you can find all kinds of secrets and truths and rhythms of a time period, much more than you find in written history. I'm fascinated by bold movements, and how very large decisions made by people in power have an impact on the personal dynamics of human beings – the human complexities that come into play when history makes bold shifts. And how the rhythm shifted and changed accordingly."
With this show, they didn't want to obviously bang people on the head with history, but instead they wanted to explore what history truly is: an incredible intimate phenomenon. History doesn't happen to cultures or to races; It happens to people.
The love of being an American stems because in America everyone's history comes from somewhere else. People in this country are very different but, even if the connections that are had are violent, all of one's history can complete another's. If you can leap past whatever psychological or historical obstacles that keep you from drinking from the incredibly nourishing and replenishing water of one's history; you can do anything. You can defy any level of structure. When you fully claim your history, you can soar.
*WOLFE'S STATEMENTS EXCERPTED FROM THE BRING IN ‘DA NOISE, BRING IN ‘DA FUNK COMMERMORATIVE JOURNAL.
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Artist Biography - Bring In Da Noise
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 This show grew out of George C Wolfe's idea of Savion (Glover) as a living repository of rhythm. There are these old black tap dances, that were taught by old black tap dancers, and so on. All of those guys passed that information on to Savion, and it landed in his feet, and his being, and his soul.
"My interest in tap springs from my passion for folk art – which to me is all about creativity, and taking something that's discarded and turning it into a wondrous object that captures the inventive magic of human beings. Only a great folk art form can tell all our stories – and tap is one of the greatest folk arts we have.I wanted to see how tap could not just tell stories, but how it could really convey really complicated emotion. Jazz dance does this, as so modern dance and ballet, but tap wasn't being mined for its emotional content. It was lopped off as an art form that's just exuberant and fun and playful. With this show, I wanted to see how we could use tap to convey desires and drives – how it could become a source of delight, intensity, rage, or power."
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For more information , enjoy the official homepage of Bring in Da Noise
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