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Book your tickets on-line to egt get those hard to get tickets of the most awaited festival Culture Shock that now also plays II Trovatore. We provide you premium tickets at attractive rates and in no time loss.Il Trovatore, The Troubadour, is an opera in four acts by Giuseppe Verdi to an Italian libretto by Leone Emanuele Bardare and Salvatore Cammarano, based on the play El Trobador by Antonio García Gutiérrez. It was first performed at Teatro Apollo, Rome, January 19, 1853. A staple in the standard operatic repertoire, Il Trovatore is, according to Opera America, the seventeenth most performed opera in North America. In 1857 Verdi revised the opera for Paris as Il trouvere and added a ballet. Act I The opera stars from the guard room in the castle of Luna, Spain. Fernando who is the captain of the guards, orders the guards to keep watch while Di Luna wanders restlessly beneath the windows of Leonora, lady-in-waiting to the Princess, whom he loves. Luna's heart is torn with jealousy against his fortunate rival, the Troubadour Manrico. To keep the guards from falling asleep Ferrando starts to tell them about the history of the count to the guard. It appears that a Gypsy of dreadful aspect had once exercised her magic arts upon the little brother of the count, making the child weak and ill, and for this had been burnt alive as a witch. Before dying she ordered daughter Azucena to avenge her, which vengeance had been partially accomplished by the carrying off of the child. Although no news had been heard of him, the father refused to believe in his son's death, and dying, commanded his son, Count di Luna, to seek for the Gypsy. Next scene takes us to garden in the palace of the princess. Leonora confesses her love for Manrico to her confidante, Inez. When they have gone, Count Luna hears the voice of his rival. Leonora in the darkness mistakes the count for her lover, when Manrico himself enters the garden, and she rushes to his arms. The count recognizes Manrico as his enemy, who has been condemned to death, and compels him to fight. Leonara tries to intervene but cannot stop them from fighting. Manrico could have killed the count but, as he explains later to his mother, he mysteriously restrains himself, and escapes.
Show Biography - Culture Shock Il Trovatore
Act II The second act takes place in camp of the gypsies. Manrico at the bedside of his mother, Azucena. Azucena is the daughter of the Gypsy burnt by the count. She is old, but still nurses her vengeance. The gypsies break up camp while Azucena confesses to Manrico that after stealing him she had intended to burn the counts little son, but had thrown her own child into the flames instead. Manrico realizes that he is not the son of Azucena, but loves her as if she were indeed his mother. A messenger arrives and reports that Leonora, who believes Manrico dead, is about to take the veil. Manrico rushes away to prevent her from following out this purpose. Luna and his attendants intend to abduct Leonora. Leonora and the nuns appear in procession, but Manrico prevents Luna from carrying out his plans and instead, joins Leonora and proposes matrimony. Act III Leonora and Manrico live only for each other.Ruiz, Manrico's comrade, reports that Azucena is to be burned at the stake. Manrico flies to her aid. Leonora faints. Act IV Before the dungeon keep. Leonora attempts to free Manrico, who has been captured by Luna. Leonora begs Luna for mercy and offers herself in place of her lover. Leonora comes to Manrico and tells him that he is saved, begs him to escape. When he discovers she cannot accompany him, he refuses to leave his prison. He believes Leonora has betrayed him until he realizes that she has taken poison to remain true to him. As she dies in agony in Manrico's arms she confesses that she prefers to die with him than to marry another. The count enters to find Leonora dead on his rival's arms and orders Manrico to be led to execution. Azucena arises from her couch and when Luna, dragging her to a window, shows her the dying Manrico. The opera ends with the count screaming in despair.
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Act II
