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If you've never seen Dame Edna in action, then by all means hurry over to the Music Box Theatre and do so; she's become, like Las Vegas or the Pyramids of Egypt, a sort of necessary cultural edifice—there's nothing quite like her anywhere else in the world. As she will tell you herself from the stage, no other show gives audiences what hers does: you won't see Brenda Blethyn (of Dame Edna's across-the-street neighbor 'night, Mother) asking unwary ladies in the front rows to send their shoes onto the stage in an oversized fishing net; nor will Blethyn or even her co-star Edie Falco invite a married couple to sit with her for the better part of fifteen minutes to discuss marital troubles they didn't know they had, or cast an impromptu reading of a play based on her life with five hapless members of the audience. But that's all in an evening's work for the Dame.
Show Biography - Dame Edna: Back With A Vengeance
For the uninitiated—of whom there are presumably fewer than there were five years ago, when this Australian housewife-turned megastar made her Tony-winning Broadway debut—let me explain that Dame Edna Everage is the waaaay-larger-than-life creation of actor Barry Humphries. When he first invented her, an astonishing 50 years ago, she was just a simple housewife, but since then, as her ego has careened out of control (and her popularity and fame have almost, but not quite, managed to keep pace with it), she acquired her title, a series of stage and TV shows, and the genuine adoration of legions of fans all over the world. She now calls herself a "giga-star"; she is, as far as I know, the only one. Not quite camp or conventional female impersonation, Humphries's creation is the quintessential self-invented celebrity—what Andy Warhol, Cher, or Madonna would have been had any of them had the nerve. Dame Edna doesn't "do" anything, except remind us how much better than us she is, either directly, in hilarious and timely comic monologues whose subjects include, at the moment, Condaleeza Rice, George and Laura Bush, and Barbra Streisand (among many others); or indirectly, by having "caring and nurturing" conversations with women in the front rows of the audience, whom she will quiz about such personal topics such as the way they spell their names or the color schemes of their bathrooms.
As befits a giga-star, Dame Edna does have an entourage, of course. Its most famous member, her "New Zealand bridesmaid" Madge Allsop, does not appear in her stage show; instead, she's surrounded/abetted by pianist Wayne Barker, The Gorgeous Ednaettes (Teri DiGianfelice and Michelle Pampena), and The Equally Gorgeous TestEdnarones (Randy Aaron and Gerrard Carter), who flank her in the four deliberately tacky musical numbers that open and close each act, as well as perform various duties such as helping her hand out her signature gladioli to hundreds of audience members.
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For the uninitiated—of whom there are presumably fewer than there were five years ago, when this Australian housewife-turned megastar made her Tony-winning Broadway debut—let me explain that Dame Edna Everage is the waaaay-larger-than-life creation of actor Barry Humphries. When he first invented her, an astonishing 50 years ago, she was just a simple housewife, but since then, as her ego has careened out of control (and her popularity and fame have almost, but not quite, managed to keep pace with it), she acquired her title, a series of stage and TV shows, and the genuine adoration of legions of fans all over the world. She now calls herself a "giga-star"; she is, as far as I know, the only one. Not quite camp or conventional female impersonation, Humphries's creation is the quintessential self-invented celebrity—what Andy Warhol, Cher, or Madonna would have been had any of them had the nerve. Dame Edna doesn't "do" anything, except remind us how much better than us she is, either directly, in hilarious and timely comic monologues whose subjects include, at the moment, Condaleeza Rice, George and Laura Bush, and Barbra Streisand (among many others); or indirectly, by having "caring and nurturing" conversations with women in the front rows of the audience, whom she will quiz about such personal topics such as the way they spell their names or the color schemes of their bathrooms.
